This edition of Curator’s Perspective is highlighting some of the work done by Asian-Canadian filmmakers or filmmakers of Asian descent at the National Film Board.
This instalment of Curator’s Perspective is devoted to celebrating the launch of a new website for the NFB collection.
“If there’s one film I have to make, it’s this one.” This message to NFB producer Denis McCready is what initially got Why?—a film on sexual violence and teens—off the ground.
This instalment of Curator’s Perspective is devoted to the landmark films that have been directed by women at the NFB over the decades.
When my dad found out he was sick, the first thing he said was that he wanted to make one final film. A tribute to his life’s work. On and off for 15 years, he had travelled around the world by himself shooting a film about Utopia.
This instalment of Curator’s Perspective offers a brief look at the history of Black cinema at the National Film Board.
What is the definition of “sharing”? When the National Film Board of Canada asked me to write a blog post about their Season of Sharing offer, I wasn’t too sure where to start.
This instalment of Curator’s Perspective invites Canadians to discover the first four editions (1970 to 1976) of the biennial Arctic Winter Games
This instalment of Curator’s Perspective reviews 12 NFB dystopian and absurdist films made with Zagreb Film arists
Over the past three or four years, climate changes have been a core concern of NFB filmmakers, who have produced several films on the subject. But have such concerns always existed in NFB films?
This instalment of Curator’s Perspective reviews NFB films that have used the subject of soccer as a means to address a variety of Canadian social issues.
Today I’ll be looking back at the works of Claude Cloutier, a virtuoso illustrator who uses a traditional animation technique—drawings on paper in India ink—but whose imagined worlds are anything but conventional.