When I sent in my film proposal for the 10th Tremplin Competition in 2018, I had no idea that I’d be embarking on such an adventure.
As the country and the world face the historic challenges of the COVID-19 pandemic, production is now under way at the NFB on The Curve, a collection of approximately 30 projects by more than 40 Canadian creators.
Helicopter Canada was filmed by the National Film Board of Canada for Canada's centennial. It features views of Canada as seen from a helicopter.
I made The Forbidden Reel because I believe film preservation begins with viewers. It begins with anyone who has seen an Afghan film—or a clip from one—and wants to keep them alive for the next generation.
There were a few ideas about the filming of The Tournament that I thought were essential to show the aspects of para sport that I wanted the audience to see. First, we decided not to film the adults; the film is about the kids.
As the gun control debate rages amid frequent senseless tragedies in both the US and Canada, the subject of the film GunKillers appears to me even more timely and relevant.
The documentary I Am Skylar was filmed just before Skylar reached puberty. She is now 15 years old. I asked her about her life since the production was completed.
The purpose of the film is not to preach to the choir, or to experts, but to raise questions in the viewer’s mind.
As we grapple with a surreal and shifting new isolated reality, The Song and the Sorrow, with its contemplation of mental health, resonates in its message.
A look at The Hecklers, a 1975 documentary on the 200 year history of the political cartoon in Canada. From the Battle of the Plains of Abraham to today.
For her latest documentary, 24 Davids, Baril visited almost a dozen countries to meet people with big ideas on how to change the world.
The work of the Canadian Wildlife Service is highlighted in this classic 1970 documentary from the National Film Board of Canada.