Black Cinema at the NFB: Before and After 1983 | Curator’s Perspective
This instalment of Curator’s Perspective offers a brief look at the history of Black cinema at the National Film Board.
Author : Camilo Martín-Flórez
Camilo Martín-Flórez is the Collection Curator at the National Film Board of Canada. He views the NFB’s collection as Canada’s “family album” – an invaluable chronicle of the ongoing evolution of Canadian society. He uses decolonial, transnational and archival theories to study and promote the NFB’s remarkable success over its eight decades of existence. A PhD in Film Studies from the University of Bologna, Martín-Flórez has presented his research at several academic conferences in the Americas and Europe, and published in various academic journals. He is also a filmmaker who’s written, directed and edited nine short films that have been screened in festivals worldwide.
The Arctic Winter Games: Promoting Olympic and Indigenous Sports for More Than 50 Years
This instalment of Curator’s Perspective invites Canadians to discover the first four editions (1970 to 1976) of the biennial Arctic Winter Games
Soccer in NFB Films: More Than a Game | Curator’s Perspective
This instalment of Curator’s Perspective reviews NFB films that have used the subject of soccer as a means to address a variety of Canadian social issues.
77 Years of Latinx-Canadian Cinema at the NFB (1945-2022) | Curator’s Perspective
This instalment of Curator’s Perspective aims to introduce readers to the different phases of NFB films made in Latin America or by Latin Americans, from the mid-1940s until today.