Women at the NFB: Firsts, Nominees and Oscar Winners | Curator’s Perspective
This instalment of Curator’s Perspective is devoted to the landmark films that have been directed by women at the NFB over the decades.
Wintopia: A Touching Story of Grief, Love and Hope
When my dad found out he was sick, the first thing he said was that he wanted to make one final film. A tribute to his life’s work. On and off for 15 years, he had travelled around the world by himself shooting a film about Utopia.
Black Cinema at the NFB: Before and After 1983 | Curator’s Perspective
This instalment of Curator’s Perspective offers a brief look at the history of Black cinema at the National Film Board.
Four Indigenous Filmmakers Share Their Knowledge This Season
What is the definition of “sharing”? When the National Film Board of Canada asked me to write a blog post about their Season of Sharing offer, I wasn’t too sure where to start.
The Arctic Winter Games: Promoting Olympic and Indigenous Sports for More Than 50 Years
This instalment of Curator’s Perspective invites Canadians to discover the first four editions (1970 to 1976) of the biennial Arctic Winter Games
Zagreb Film and the NFB: A 50-Year-Old Gem Gets Its Online Premiere | Curator’s Perspective
This instalment of Curator’s Perspective reviews 12 NFB dystopian and absurdist films made with Zagreb Film arists
A Brief History of Our Environment-themed Films | Curator’s Perspective
Over the past three or four years, climate changes have been a core concern of NFB filmmakers, who have produced several films on the subject. But have such concerns always existed in NFB films?
Soccer in NFB Films: More Than a Game | Curator’s Perspective
This instalment of Curator’s Perspective reviews NFB films that have used the subject of soccer as a means to address a variety of Canadian social issues.
The Man Who Wanted to Be an Animator: Claude Cloutier | Curator’s Perspective
Today I’ll be looking back at the works of Claude Cloutier, a virtuoso illustrator who uses a traditional animation technique—drawings on paper in India ink—but whose imagined worlds are anything but conventional.
Saturday Night: “People are my true homeland”
A short documentary essay on solitude, filmed in Spanish and narrated by filmmaker Rosana Matecki, Saturday Night (2021) offers a poetic and bittersweet snapshot of aging in an urban setting, viewed through the lens of dance.
Unspoken Tears: Trauma Through Words | Director’s Notes
Making Unspoken Tears immersed me in the violence of war and the trauma it inflicts on people. I wanted to use the integration of young refugees into Quebec’s school system as a way into this subject.
77 Years of Latinx-Canadian Cinema at the NFB (1945-2022) | Curator’s Perspective
This instalment of Curator’s Perspective aims to introduce readers to the different phases of NFB films made in Latin America or by Latin Americans, from the mid-1940s until today.